Month: December 2016

Manushima

I love this guy! Manushima, aka Emanuel Allen, is a photographer based first and foremost on Facebook – you can find his artwork there under Emanuel Allen. I think his imaginative work is created somewhere around Pensacola, FL – I could be wrong. And I believe he is a military guy, too. Wait! A creative in the military? No way!

I talked with Manushima via Snapchat on a crisp fall day here in New York. He did not say what the weather was like where he was at, but I would guess he would say “balmy.” I asked Manushima where he got his inspiration for his work. He said it comes from thinking critically of the living moment. Each of his images highlights various existential issues that arise in the now: whatever strikes him at the moment he creates in his studio, then snaps the image.

allen_multi-cameras

Browsing through Manushima’s art on Facebook I found so many great pieces I could hardly choose which to save for this post. The photo above brings to light the tools of his trade – cameras! lots and lots of cameras. Manushima did not say what made him start collecting antique cameras, but he did tell me that his creativity was sparked as a young, four-year-old, boy while watching his older brother and his friends create manga characters in their childhood home near D.C.

allen_creative-process

The anquish felt by all artists is expressed in the image titled “The Creative Process.” I do not think Manushima needs to worry about his creative process; he is his own muse and model – plenty of ideas brewing. 

Looking at the evolution of Manushima’s imagery, I can see that his set designs have improved significantly. What fun his visual stories are! And his lighting is spot on. I love the drama.

The last time I looked, Manushima had a website where he sold fantastic t-shirts with his images on them. I could not find the site  today; maybe he will see this blog post and make the t-shirts available again.

Thanks, Manushima! Keep the work coming.

And thank you for reading. Leave a comment, or a like. Let me know what you think. And if you visit Manushima’s Facebook page, please leave him some likes; let him feel the love.

Best – Anni

 

*All photos courtesy of Manushima. All rights reserved by Manushima, 2016.

The Hand of Man

This slideshow requires JavaScript.

 

I have felt extremely anxious about hanging these five illustrations; I’m not sure why. Perhaps I’m not feeling good about this work because I became sick right after starting, and got a little sidetracked when I was finally able to get back to it again.  The pieces are hanging, regardless, at RiverRead as of December 2nd – First Friday – through the end of the month.

Sadly, I received notice that RiverRead will permanently close their doors on January 31, 2017. Several reasons were cited for the closing, but I suspect Amazon is highest on the list. RiverRead has been kind to me; they have hosted my work twice. My first show at the bookstore was “Story Hats.”   I will miss the little shop greatly.

Here is the write-up:

Each of he five 12” x 18” watercolor illustrations in the series “The Hand of Man: Things Left Out” tells a surreal story imagined by visual artist Anni Johnson during a recent trip to Alaska. Anni handmade deckled paper to complement the drawings, and the images she created were rendered using photo reference material taken in Alaska with her iPhone. There are words from Emily Dickinson included in the illustrations to imbibe Anni’s visual stories with the quirky natural phenomena found in Dickinson’s poetry. The titles reveal the Dickinson poem used if one references Thomas H. Johnson’s edited collection “The Complete Poems of Emily Dickinson”; however, the poems are handwritten, in their entirety, on the backside of each image. Of the work, Anni says: “In Alaska, viewers can begin to sense how small and insignificant they are while standing in the shadow of a towering rock cliff or sailing above the depths of Bering Sea, an eerie feeling of being connected to a vast endlessness can flood the senses. Freud likened this surreal experience to ‘an infantile lack of an ‘I’’: he could not make the leap with his friend French essayist Romain Rolland to call the ‘Oceanic Feeling’ they passionately debated an ‘article of faith.’ I think this connection to our environment is, too often, left out of human considerations in the name of progress at the expense of our precious natural resources. (This subject has been passionately and professionally broached in the National Geographic documentary “Before the Flood” featuring Leonardo DiCaprio.)  Perhaps this is because not enough decision-makers get out of their sterile offices. They don’t get out from behind their computers to spend time in nature, to try to reconnect with what can be called, per neuropsychologists, ‘primal consciousness,’ to glean certain ‘truths’ as scientist Carl Sagan explained: ‘The cosmos is with us. We are made of star stuff. We are a way for the universe to know itself.’ Reading Emily Dickinson, even though she never traveled far from her home in Amherst, M.A.,  I feel she would understand completely.”

As always, thank you! for reading.

Best – Anni